Audio is processed through 5 stages :īass frequencies are enhanced around the selected frequency, with Q and gain control, then rotated in a 200Hz selectable pole rotator (0-off to 8 poles). Stardust is a VST plug-in that is designed for channel processing as well as mastering. I also recall being in the audience at her final Wigmore Hall concert in London - she received a huge bunch of flowers at the end, and then decided to play an encore - she laid the flowers actually inside the piano, and of course it then didn't function very well, requiring her to stop and remove them, much to the amusement of the very affectionate English audience. Perhaps I am being unsympathetic to those who have to endure the Russian winter. The great majority were necessary because it appeared that if a member of the audience had a very bad cough, the concert managers invited them to sit nearest to the mics and to make as much disturbance as possible. The opportunities for editing were relatively few - we simply had the masters from the live performances with no patches, so all one could do was to take tiny bits from repeats where necessary, and where possible. The first I think to be released by a female pianist. No to op.87 - but I did edit the complete, live Beethoven sonatas performed by Tatjana Nikolayeva, release on the Olympia label. Colin Stone, the performer, isn't too bad either - but Nikolayeva is I think another and more rare division. You must be a real professional, and a very good one. ![]() I would think that it's mighty difficult to get a good grip on reverb control when recording solo piano in a church, the piano being a chamber instrument, op. It was written for Tatjana Nikolayeva, who plays it in a cool but heartbreaking manner, and therefore it doesn't even matter too much that the actual (recording) sound of her performance are very much below average (now I know: she should have asked Art Evans to handle her sound). 87 as well? - which I think is one of THE compositional masterpieces of the last century. Here's something I've just come across - a CD I recorded way back - listen to a couple of these excerptsĪrt, that's the first time I hear someone refer to Shostakovich's opus 34 as just something :) Indeed a great sound, very well recorded. You can treat the actual sound file in Wavepad itself (supports DX, VST) or use a free VST vocoder in REAPER such as: It you need German or other languages, just download the needed language components () and use them in Wavepad. But I got some good experiences with the TTS (text to speech) functionality of Wavepad, a good free wav and mp3 editor (). ![]() I'm not sure if I fully see what you're looking for. "Kawnawleesawtseeon" sounds too weird to be useful.Īlso,a good free vocoder can help with this kind of stuff.The Fruity one is not useful for making that vintage 80's "computerized/robotic" voice,like Kraftwerk's or that used in early 90's "Electronica/Techno" music for example. For example,I can't make it "speak" the German word "Kanalisation" correctly. that rely on using pure vowels and hard consonants.Too hard to make the Fruity speech synth do this. Speak languages other than english,like German,Russian,Japanese,etc. The biggest problem of the FLStudio speech synth is making it The FLStudio speech synth is not very good for this and sounds very "fruity" :( ,but the male voice in the Opera web browser based on the IBM engine sounds (phrases) very realistic for a synthesized thing. Now I need speech synthesizers: one that produces sound like the old commodore64/Atari computerized digital speech,and one that sounds very realistic.
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